Showing posts with label option. Show all posts
Showing posts with label option. Show all posts

Monday, January 9, 2012

The rewards of writing.

What a wonderful surprise and Christmas present ,Jim.  I was totally taken aback, ELATED,OVERWHELMED, DELIGHTED, etc. etc. to receive  your book and dedication to me. This is the greatest reward  I  have received in my lifetime.  I had many rewards and a lot of fun while teaching, but this topped everything. Everyone is so excited for me.

First of all, no, I didn't write that, and since there might be non-believers, hard to believe, let's make it one specific non-believer, this was written by my Grade 6 teacher, who always inspired and encouraged me.

The novelization of Emperor of Mars was dedicated to her.

The book has been out now a little over two weeks and unfortunately was too late for the Christmas sales. I could have kept it back till next Christmas but I decided to put it out now. It's on Amazon, Kindle and Nook, and Amazon in Canada.

So why is it dedicated to her?

Because she is a big part of the book. I've told you it's a story based on my life as a 12-year old (not all that interesting) and a true-story character who called himself the Emperor of Mars (much more interesting).

Put them together and you have a book. Or rather a book based on a true story. Or a book based on a true story based on a screenplay.

I've said this before, but EOM (the business loves to use letters rather than titles) was written as a screenplay in 1989 and almost made into a movie 5 times. It was the screenplay that got me into every studio in town. Every one. They loved it. Steve Teisch, producer of Forrest Gump loved it. 

But nobody wanted to make it. They considered me for other writing assignments, and I got a handful or so but nobody wanted to make it. 

One reason was that "it had no star role". Meaning no big role that a star would want, after all it was about a boy. You can say that Stand By Me had no stars, but they had Stephen King's story and Rob Reiner, entrenched into the Hollywood world.

The 5 "almosts" were indie producers,  the 1st attempt was an option that eventually expired, the second had an oscar-winning director (honest) and financing fell through, the 3rd was an option again, the fourth was the closest,  I was director and had done locations when the dreaded call came.

Finally it was with 2 producers from Calgary who did an award-winning western with Robert Duvall. They lost interest eventually because, as with most Canadian producers, they really don't want to look for money, they want someone to give them the money so they can spend it.

I had friend who suggested I novelize the screenplay and put it on Amazon which published books for anyone, sort of like "vanity publishing" but at no cost. Then a former UCLA student told me of his success with a book. In 3 years he made over $15,000. He also showed me how to do it.

So I got a graphic artist to design the cover and a tech to help format and upload the book. It took almost 2 months to write as I didn't plunge right into it. By last December it was ready.

The teacher was one of those who suddenly appear into your life, she was around 18, and in the late 1950's, typical of many teachers who took a 1 year teaching course. Everything about her was spectacular to a kid of 12, I couldn't wait to get to school and just be around her.

In later years I would come back to Manitoba and often see her again. I remember sitting in her home and drinking scotch. Then she moved and I lost track of her. We met again at a 100 year anniversary of the little town I lived in and reconnected with email.

Some time ago, she emailed that she faced a serious health problem, and in her words "wouldn't go without a fight". I emailed with another student, a woman who became a politician in Canada, herself inspired by our teacher. We kept in touch over a year, hoping for the best until the politician emailed to say our teacher was back home and in better health.

Three weeks ago I mailed her the first copy of the book and wasn't sure what she would think. Her response is what you read at the heading, except for her very nice words about my writing abilities and that she hopes we meet again soon.

If anyone wonders why anyone would want to write for a living, I think this is at least half of it. 

The other half is because it's the only thing I know how to do well besides shooting film and video and some darn good photography.

 

Monday, February 15, 2010

Change of plans

Travel Day is being restructured as our winter window is getting tighter. TD is intended to film in snow conditions and as of now, with one of our investment partners seeming to drop out, I've begun working another way to fund the film while keeping with our original intent. I've been working on the funding since last July and sometimes a project can get stale if nothing  happens in a length of time.

So what I have to do is to "re-invent" the project and this means changing some of the elements, adding another actor or two and re-visiting the budget. And as I have noted in past blogs, I have two other projects that are hanging around, waiting for attention. 

Emperor of Mars has been in development of sorts for nearly 20 years, having almost been made at least 5 times with several more times when it was just optioned for a year or so. For those who don't know options, basically a producer interested in the script will pay an option fee (usually 10% of the sale price) of the screenplay in exchange for an exclusive right to the screenplay.

Meaning he sort of owns it until such time he finds the full budget for the movie and can then pay me the full price, plus any additional work I might do (rewrites, polishes, washing his car).

Emperor was optioned to an Alberta company for the last 2 years but they haven't been able to fund it for $5 million, and the option ends Tuesday, Feb 15th. This time I will try to get it made through my own connections.

You may ask why I would attempt that since my last 8 months haven't been entirely successful for TD.

A funny thing about that, one of the problems for funding Travel Day came with it's relatively low budget. A few of the investors I spoke to preferred a higher budget as they, as money-finders, would get bigger commissions.

In short funders make more money from a high budget than a low budget.

Now all we're talking about here are two low budgets if you compare them to Avatar. And then there's Tom Cruise who's cutting his fee to $25 million for the next Mission Impossible.

But I'm in the world known as "under $10 million", which is where most independent films fall.

So I'm going to pass Emperor around and see what happens.

Then there's Chaser.

Chaser is a screenplay I wrote a few years ago almost on a bet. I bet a friend that I could write a screenplay that takes place entirely in a car.

My agent and friend Frank wasn't enthusiastic, and others said it would never get made. But after I finished it, Frank read it and liked it. And so did others. It was hanging around Sam Rami's Ghosthouse, the producers who made the Spiderman movies.

Chaser is a story about memory and what we remember -- or don't remember. And it's fast pace and constant twists were perfect for Shirley.

We decided to make a trailer, a 2 minute long video preview of Chaser with selected scenes to show investors what it could become.

The only question is "how"?


(More on Chaser Wednesday)